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It’s just a new trip, take a glimpse of your family ancestor. But never mind, you’re here right now, don’t you mistake it.
#Kendrick lamar pimp a butterfly homeless man god tv
On the final verse, we come to realize that Kendrick is in fact talking about a visit to Africa due to the lines, “I used to watch on channel five, TV was taken. Kendrick continues feeling himself on the next verse with multiple claims of knowing everything about all sorts of subjects, but then quickly switches his tone when he realizes he doesn’t know anything about the struggles of his own home.
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“Momma” is yet another false positive track with Kendrick’s first verse being about his come up in the industry, his incredible lyricism and being happy to be home.
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The dark turn in the production, as the poem once again returns, also shows this effect and brings us to the next track, “Momma.” I think that this is a very effective message and a relatable one at that, as it can be associated with fame, popularity and many other areas in life.
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To me, this song’s production is also very representative of somebody on the outside looking in thinking, “man I wish that was me” but then once they actually get there, they realize the darkness behind it. Another connection that I see is the way that all of this can be interpreted as a sales pitch to sign a record deal as well, which I feel like is no coincidence due to the prior mentioned connections with other rappers growing up in poor environments thus leading them to waste their money on material things while also getting the short end of the stick from record labels. The verse then closes with Lucy telling Kendrick to sign a contract to sell his soul with an interesting “if that’s possible” at the end, just to add to the seduction. Lucy don’t mind, ‘cause at the end of the day you’ll pursue me.” I’m Lucy, I loosely heard prayers on your first album, truly. Lucy gon’ call you even when Lucy know you love your father. She shifts her tone and begins telling Kendrick that he and his faith have no power to stop her with the following lines, “Kendrick, Lucy don’t slack a minute, Lucy work harder. The second verse begins by Lucy talking kindly to Kendrick by saying all the things that she can do for him, but takes a darker turn by the end of the verse. Kendrick, as Lucy, proceeds to counter and hauntingly gets the last words on the track. Kendrick, however, ends the first verse not giving in because he believes this temptation will be the death of him ) has on new celebrities such as himself.Īnother thing to consider is that many rappers also have come up from incredibly poor environments so, naturally, they’ll want to use some money when they eventually get it, which makes this temptation Kendrick discusses all the more tragic. That I (want you).” Here, Kendrick is pointing to the seductive nature that Lucy (greed, temptation, etc. Til’ I was hypnotized, then you clarified. You looked me in my eyes about four, five times. After this chorus, we get a short verse where Kendrick describes the way that Lucy tries to persuade him with lines such as, “I remember you took me to the mall last week, baby. Interestingly, this song is very much a sales pitch from Lucy to Kendrick with the intro from Bilal serving as a haunting warning while beautiful trumpets, keyboards and alto saxophones amongst other things can be heard in the background.įrom there, we move onto Kendrick, once again, expertly altering his voice on the chorus to portray himself as Lucy trying to get to him. As an antagonist figure, Kendrick personifies this with the character Lucy, referring to the devil Lucifer. Following “Alright,” Kendrick continues his internal struggle on the interlude “For Sale?,” which is about the battle Kendrick fights to not give in to the materialism of the industry. I wonder if it’s among the reasons that he didn’t include the blistering untitled rap he performed on one of the final episodes of The Colbert Report in December. That refusal may be part of the politic here. And those who are upset that Lamar won’t stay in his lane as a great technical rapper are in a sense doing the same thing. Yet when Obama does invite Common to the White House, or perhaps when I label Kendrick Lamar as a poet, that is also an act of containment, of domestication, of pimping the butterfly. Because, the subtext clearly went, only a black president would debase poetry (which Fox News of course holds so sacred) by including rap in it. And while the other radical poets tied themselves in knots over whether that made Goldsmith a political sellout, the real action was over on Fox News, where they were raising hell because Common was also on the bill. Kenneth Goldsmith himself was invited by President Obama to the White House a couple of years ago, for a day of poetry appreciation.